Some work in progress shots of a 16th century black linen doublet.
Doublet front basted and shaped.
Under side of the doublet front, canvas and pad stitched wool.
Under side of the doublet back, more canvas and pad stitched wool.
I’m in need of a new underskirt or petticoat for my 16th century clothing. I’ve been using the same cotton broadcloth one I made back in 2005, for years now. It is serviceable, but it adds a lot of bulk at the waist and it isn’t very authentic in construction or materials.
So it is time to for a new one.
I have 3.5 yards of a lovely wine colored, lightweight worsted wool donated to me by Noel. (Thank you Noel! <3 )
I’ll be drafting the pattern on the fabric and hand sewing the whole thing with linen thread.
I’m working from the Spanish version of Alcega’s Book. The english translation is out-of-print and painfully expensive. I’m not a native nor fluent spanish speaker so google and a few other resources will be heavily used.
I’m using the translated chart of symbols from the tailors book into modern inches from the Curious Frau’s site.
Taking some inspiration from Other Andrew’s The Alcega Project.
And keeping in mind the information Modern Maker has posted about his study of the patterns on his blog and on the Elizabethan Costume Facebook group. of the
Definition from “Nuevo diccionario portatil, espanol e ingles: compuesto segun los mejore…“
Manteo: s, m : a church man’s cloke; a woman’s under petticoat.
Language is a fluid thing, always changing. The above definition is from 1728 far later than the 16th century. However even later dictionaries simply list it as a cloak or mantle. Context is key, when it is listed as Manteo de Muger, chances are it is a skirt.
I’m not post much as I’m getting married Nov. 1st! All the wedding stress and appointments and planning means not much sewing time.
I did manage to get this patterned and partly sewn up the past few weeks.
It still needs a slip, binding, and hem but at least it is no longer looking sad on my dressform.
I’ve made three English Fitted Gowns based on the Tudor Tailor’s pattern so far, and with each one I’ve tweaked how I’ve put them together.
I’m finishing up the bright red wool kirtle and this time around I need some dress pins to keep the sleeves on.
I remembered Catrin’s pin making tutorial but knew I didn’t have the right gauge wire on hand, but I did have some decorative head pins left over from making the green tudor gown.
I followed the same process Catrin’s tutorial showed, save that I didn’t have to wire wrap to make the head of the pin, and I don’t have a jewelry anvil. I work-hardened the length of the pin by hammering it flat on my front porch, nipped the ends with wire cutters and sanded it down with a file.
Starting off the New Year with finishing a big project!
More photos can be found on the Nonesuch costume page.