Centuries-Sewing

Tag: 16th Century

  • The Red Pisa Gown

    Pisa Gown
    Pisa Gown from Moda a Firenze

    A few years ago, ok actually make that five years ago? A drool worthy book called “Moda a Firenze 1540-1580: Lo stile di Eleonora di Toledo e la sua influenza”, hit the shelves and sent many costumers and researchers into a fit of joyous ecstasy. I was one of them, however I didn’t have the money to spend on the book. So I waited and read the reviews and looked over a few photos from it that were posted. I fell in love with the red velvet gown, the elegant train, the worn but glittering crouched trim. I knew then I didn’t have the skill set to make the dress the way it should be made, but I knew I had 6 yards of a purple/red velveteen and while it wasn’t the exact, it would do.

    Test Gown Elenora
    The Test Gown

    I had Patterns of Fashion to guide me, and a new dress form that I was learning how to use. Some muslin and 4 yards of a poly-cotton damask later I had a test dress which still is in need of a hem…I’ll get to it one day.

    But hems aside the test dress taught me a great deal about fit and proportion. My bodice pattern was just a little too big, the point of it came down too far on me, making it look like later time period. The skirt (which I cartridge pleated rather then knife pleated due to the thickness of the fabric) wasn’t full enough. I was able to see what needed changed, how the dress moved and where to improve the fit for next time.

    With that in mind I made adjustments to my bodice pattern and cut out a new mock-up.

  • When silk taffeta comes home to roost.

    Orange Tudor Gown

    Several months ago www.fabric.com was having a wonderful sale and I was able to snag some dark coral silk taffeta for a song. It came in the mail and I petted it and held back the urge to roll in it like a colt in the grass. (Taffeta wrinkles, grass does not.)

    So I stuck the roll in the corner of the room and went about my business.

    Then it started whispering..

    Princess Elizabeth

    So I rolled over and went back to sleep, which is the sane reasonable thing to do when fabric starts to talk to you, right?

    Except it didn’t work, after a few hours of tossing and turning and kicking the cat out of the bed I got up and stared at Google. Queen Elizabeth’s Wardrobe Unlocked was back at the library.

    Yet I knew that orange wasn’t a color that showed up in tons paintings, and it went by various names in period.

    I also knew that taffeta was usually used for linings, but the Tudor Talior says it could be used for gowns, and a quick peek at Mary Tudor’s Wardrobe Accounts lists a French Gown of Black Taffeta.

    Knowing it was used from time to time for gowns made me feel better, but still the color bothered me. My fabric was not a reddish coral, nor was it exactly a pumpkin. But a bit more hunting on the web led me to some paintings showing orange, or orange toned fabrics.

    My fabric is plain and not damasked, which spares me the effort of trying to recreate the painting. Trying to find metallic cut velvet while on a budget is an exercise in insanity. So I settled on a plain brown velveteen, I picked up during on of the spring madness sales at my local Joann’s. I should be able to squeeze a full kirtle and false sleeves out of 4 yards, and if I am very lucky piece some narrow fitted sleeves from the off cuts.

  • What I wore to the Ren Faire

    Black Venetian Gown

    A few weekends ago I visited my local Ren faire, how could I resist when the weekend theme was Italian Carnival? This dress is a few years old now but I finally have decent photos of it which can be found
    here in the costume section
    .