Centuries-Sewing

Tag: silk damask

  • WiR: A Pair of 16th Century Silk Damask Sleeves

    WiR: A Pair of 16th Century Silk Damask Sleeves

    The main project this week was revising my 16th-century sleeve pattern and making up a pair of test sleeves. I was not happy with how my sleeves turned out in the caramel wool petticoat bodies. Some of that was from how thin and lightweight the fabric was, and some of it was from the pattern I used.

    I plan on revisiting those linen sleeves to fix some of the issues, but knew I needed a new base pattern that didn’t cause so many headaches.

    A New Sleeve Pattern

    Over the years I’ve drafted a lot of sleeve patterns. I’ve drafted them using modern drafting methods, using diagrams in costumes books and at least one-time using aluminum foil. Sometimes they have been successful, other times they have been a hot mess.

    This time around I turned to Juan de Alcega’s Tailors Pattern Book but instead of breaking out the bara strips, I opened up Inkscape and traced the sleeve shape.

    Alcega Sleeve Pattern Tracing

    From there I adjust the pattern shape to have less of a dramatic curve and match my arm measurements with some ease included.

    Sleeve Pattern Adjusted

    I printed out my digital pattern, cropping it to fit on two sheets of paper and taped it together. Then I made a mock-up out of some rough linen, giving myself some extra wide seam allowances for adjustment. It took some back and forth in front the mirror with pins until I was happy with how the pattern was shaping up.

    Measure 400 Times Cut Once

    Gold and blue silk sleeves with clapper press

    A few weeks ago I ran across a very good deal on some scrumptious silk damask, it was dirt cheap due to a flaw in the weave. Into my shopping cart it went along with some linen to use for various projects. I figured I could cut around the flaws.

    When the fabric arrived I found the weave flaw ran all the way down the yardage. The thought crossed my mind to try and reweave the damage, but I decided I was not *quite* that dedicated.

    I cut out my linen lining first and then jigsaw puzzled my way down the silk trying to pattern match where I could. Not having the missing thread run through the main part of the sleeve was a challenge as I wanted to use as little of the fabric as possible.

    To make everything fit I ended up piecing the upper back of the left-hand sleeve.

    Blue and Gold Silk Damask Sleeve Pieced

    It took me at least an hour to cut out the sleeve, due to not wanting to mess up a very nice fabric. I also cut it flat so each pattern piece needed to be flipped over while I triple checked that I did not somehow cut two left sleeves (which has happened before).

    Once everything was cut out I sewed the linen lining together using the running stitch with a small section of backstitching at the elbow points to reinforce that area. Next, I sewed the silk together using cream silk thread with the back stitch.

    Blue and Gold Silk Damask Sleeve Back Stitched Seam

    As I handled the fabric it started to fray. Usually, I would overlock or zig zag the raw edges to prevent it. But I was worried about the extra bulk of the threads shadowing through the silk.

    Instead, I prick stitched the seam allowance down, taking tiny stitches through the outer fabric, this also meant I did not need to worry about ironing the seam flat.

    Blue and Gold Silk Damask Sleeve Seam Allowance Sewn Down

    Once all the sleeves were together I put the linings in and basted along the top of the sleeve cap. Then I tried them on with a kirtle, pinning the top of the sleeve to the shoulder strap and looking at where the wrinkles formed. They needed some adjustment.

    That is where I am now. There is a pin stuck in where the underarm curve needs to dip down a little more. I have some narrow bias tape cut from scrap linen to bind the edges and some braid should be arriving in a week or two to trim the seams.

  • Week in Review: Silk Pincushion and Bobbin Lace

    Week in Review: Silk Pincushion and Bobbin Lace

    This post is a tiny bit misleading, I’m smooshing together last week’s missing review in with this week. I was sick last week and while I sat at the laptop with the Edit Post tab open it, it just wasn’t happening. (After typing the week that many times in a row the word has lost all meaning.)

    I have one big project off my plate, it just needs a few threads clipped and proper photos taken. Then I can pack it up and sent it off to its new home. It is a surprise for a friend so I won’t be able to post photos until she receives it.

    But until then here is what I worked on this week!

    Bobbin Lace

    Silver bobbin lace sample

     

    I’ve been trying to learn bobbin lace for the past two years. It has been an on and off process. The books I have don’t always explain the whys and sometimes I’m looking for very specific information with no idea what to call it. It is the beginner’s curse of standing on the edge of a mountain and looking at a sea of knowledge below, knowing that you can’t swim very well.

    Bobbin lace has a very long and rich history that crisscrosses various cultures and techniques. I know in a round about way there are different styles of lace grounds and different ways to work footsides. There are different ways of holding and working the bobbins depending on who teaches you and where you are taught.

    That is something I am not ready to dive into.

    For now, at least my interest in bobbin lace intersects with the 16th century and stays there. That means various types of laces usually based on plaits and braids. I’ve found a few resources online, some books that have filled in gaps.  Staring at Le Pompe and at zoomed in paintings helps too. The silver lace I made is far from perfect, working with a faux metallic thread is a new experience, my tension is wibbley and I suspect my pattern is too large for my thread weight.

    But it stayed together when I unpinned it and that counts for alot.

    Sewing Experiments and Samples

    Blue and Gold Silk Damask Pin Cushion

    This week I also made a few test pin cushions. These are made from an inner pillow of linen, stuffed with linen scraps, covered with silk damask and edged in gold cording. They are inspired by the embroidered pincushions that are often found with 16th century sweet bags, but I don’t know if they were ever made of fancy fabric in period.

    I might put a few of these in my Etsy shop, they have a nice weight to them and have kept my work table from being covered in random pins and needles.

    I also revisited my pouch pattern and streamlined how I make them. Prototype number 2 turned out a little smaller than version 1 but I’m overall pleased with my process for them.

     

    Next week I need to work on the silk taffeta kirtle and there are some silk damask sleeves that need my attention.