Centuries-Sewing

Tag: Silk

  • A Green Linen Apron and some 17th Century Goldwork Embroidery Projects

    A Green Linen Apron and some 17th Century Goldwork Embroidery Projects

    April and most of May was a very stressful month for me. All my sewing projects went on hold and I tried to take the time to put myself and self-care first when I could. I’m starting to feel like I have more energy now, I’ve gotten some hand sewing done and started a few embroidery projects that will carry me out until the end of the year.

    Hand sewn sage green linen apron

     

    First up is a simple linen apron in sage green. I hand sewed this all with white linen thread and clocked in at about 10 stitches per inch. Those hems are going nowhere. Using a contrasting thread gave an extra decorative effect and I may make another one for the etsy shop.

    The embroidered stomacher project is back under the machine once more. I took a break to keep my shoulders and neck happy and rethinking my workroom set up for when I need to spend a lot of time at the machine.

    The silver glove cuffs are on hold, because I fell in love with a much more colorful set of gloves from the V&A.
    These are also featured in 17th Century Women’s Dress Pattern Book 2. Mine will not be an exact reproduction (I’m not fond of the tabs with the houses) but will be similar.

    Bird glove cuff traced

    And finally, to get a little more practice with goldwork and working with purl I started a much smaller, less ambitious project. This is based on the 17th-century purse and pincushion at the V&A. Which features purl worked flowers, couched cording and tiny birds covered in seed pearls. There are no measurements listed so I am taking a guess at the size of the pincushion, based on others that survive.

    goldwork pincushion practice

    Some sections of the flowers and leaves I padded out with linen thread, the gold cord I twisted myself with a drill, and in place of seed pearls I am using some white seed beads I had in my stash.

  • WiR: A Pair of 16th Century Silk Damask Sleeves

    WiR: A Pair of 16th Century Silk Damask Sleeves

    The main project this week was revising my 16th-century sleeve pattern and making up a pair of test sleeves. I was not happy with how my sleeves turned out in the caramel wool petticoat bodies. Some of that was from how thin and lightweight the fabric was, and some of it was from the pattern I used.

    I plan on revisiting those linen sleeves to fix some of the issues, but knew I needed a new base pattern that didn’t cause so many headaches.

    A New Sleeve Pattern

    Over the years I’ve drafted a lot of sleeve patterns. I’ve drafted them using modern drafting methods, using diagrams in costumes books and at least one-time using aluminum foil. Sometimes they have been successful, other times they have been a hot mess.

    This time around I turned to Juan de Alcega’s Tailors Pattern Book but instead of breaking out the bara strips, I opened up Inkscape and traced the sleeve shape.

    Alcega Sleeve Pattern Tracing

    From there I adjust the pattern shape to have less of a dramatic curve and match my arm measurements with some ease included.

    Sleeve Pattern Adjusted

    I printed out my digital pattern, cropping it to fit on two sheets of paper and taped it together. Then I made a mock-up out of some rough linen, giving myself some extra wide seam allowances for adjustment. It took some back and forth in front the mirror with pins until I was happy with how the pattern was shaping up.

    Measure 400 Times Cut Once

    Gold and blue silk sleeves with clapper press

    A few weeks ago I ran across a very good deal on some scrumptious silk damask, it was dirt cheap due to a flaw in the weave. Into my shopping cart it went along with some linen to use for various projects. I figured I could cut around the flaws.

    When the fabric arrived I found the weave flaw ran all the way down the yardage. The thought crossed my mind to try and reweave the damage, but I decided I was not *quite* that dedicated.

    I cut out my linen lining first and then jigsaw puzzled my way down the silk trying to pattern match where I could. Not having the missing thread run through the main part of the sleeve was a challenge as I wanted to use as little of the fabric as possible.

    To make everything fit I ended up piecing the upper back of the left-hand sleeve.

    Blue and Gold Silk Damask Sleeve Pieced

    It took me at least an hour to cut out the sleeve, due to not wanting to mess up a very nice fabric. I also cut it flat so each pattern piece needed to be flipped over while I triple checked that I did not somehow cut two left sleeves (which has happened before).

    Once everything was cut out I sewed the linen lining together using the running stitch with a small section of backstitching at the elbow points to reinforce that area. Next, I sewed the silk together using cream silk thread with the back stitch.

    Blue and Gold Silk Damask Sleeve Back Stitched Seam

    As I handled the fabric it started to fray. Usually, I would overlock or zig zag the raw edges to prevent it. But I was worried about the extra bulk of the threads shadowing through the silk.

    Instead, I prick stitched the seam allowance down, taking tiny stitches through the outer fabric, this also meant I did not need to worry about ironing the seam flat.

    Blue and Gold Silk Damask Sleeve Seam Allowance Sewn Down

    Once all the sleeves were together I put the linings in and basted along the top of the sleeve cap. Then I tried them on with a kirtle, pinning the top of the sleeve to the shoulder strap and looking at where the wrinkles formed. They needed some adjustment.

    That is where I am now. There is a pin stuck in where the underarm curve needs to dip down a little more. I have some narrow bias tape cut from scrap linen to bind the edges and some braid should be arriving in a week or two to trim the seams.

  • Time for a Crash Course in 1560s Nuremberg Fashion

    Time for a Crash Course in 1560s Nuremberg Fashion

    Nicolas_de_Neufchâtel - Susanna Stefan
    Nicolas_de_Neufchâtel – Susanna Stefan (died 1594), wife of Wolff Furter (1538? – 1594) of Nuremberg, National Gallery London

    I have a confession to make, I am not a huge fan of pink. It is a fine color and I can wear it without looking ill but in my day-to-day life it is rather absent.

    Yet a  great deal of my costumes and historical clothing however are pink. I didn’t really notice it at first, until someone suggested that I should make the pink gown in the Neufchatel painting.

    Then I noticed, I did have at least 3 or 4 gowns that were pink.  Be it by fate, or accident, of the by-product of digging through the clearance rack and looking for something useable.

    I’ve found silk on sale, it was pink, I found a linen blend that was pink. I also managed to some how color match the linen to wool bought half a year later from a different store. I’ve tossed tables cloths and tan fabric into a scarlet and wine dye bath and they too all ended up some shade of pink.

    Rose, Salmon, Cranberry, Azalea, Raspberry. Or more Elizabethan names, Maiden’s Blush, Carnation, Lusty Gallant.

    The color is haunting me or hunting me with every project I make.

    I resisted at first, maybe I could make it in a different color? Yet most of the fabric in my stash is already set aside for other projects, and I realized I picked up the perfect scrap of velvet for the gown trim a week ago.

    I found a damaged silk blend sari for cheap, it should get here in a few weeks. Until then I have time to plan and plot. This is not my usual area of sewing, I usually stick to England and Spain. I’ve read a ton of dress diaries over the years so I know a few bits of terminology but I may get something things mixed up.  I have a black velvet purse I could use for the bust band (brustfleck?) that has bullion embroidery on it, or I have a few other ideas on how to make something similar.

     

    A few details from the painting:

    Neufchatel-detail-smock

    Neufchatel-detail-waistNeufchatel-detail-brustfleck