Centuries-Sewing

Category: The Week in Review

  • WiR: Hand Sewn Silk Sleeves Done!

    WiR: Hand Sewn Silk Sleeves Done!

    Gold and blue silk sleeves

    16th-Century Handsewn Silk Sleeves

    This week I finished the silk sleeves, yay! The last few steps ended up being very fiddly, as I needed to change the curve of the underarm section of the armscye and take it in by an inch.

    The last few steps ended up being very fiddly. I needed to change the curve of the underarm section of the armscye and take it in by an inch. One sleeve was finished when I decided this, so I spent some quality time with the seam ripper unpicking the main handsewn seams and the prick stitching I put in to control the fraying.

    Once I adjusted the armscye all I had left was the sleeve hem. Match seams, finger press the linen down by 1/2 an inch, pin and fold silk down to match.

    Done.

    gold and blue silk sleeves with eyelets

    Everything else on my worktable has been eyelets this week.

    The Eyelet Countdown

    • 4 eyelets left on the early 16th-century olive wool kirtle
    • 12 on my 14th-century cotehardie
    • 18 on the black silk taffeta kirtle
    • 6 on the silk sleeves
  • WiR: A Pair of 16th Century Silk Damask Sleeves

    WiR: A Pair of 16th Century Silk Damask Sleeves

    The main project this week was revising my 16th-century sleeve pattern and making up a pair of test sleeves. I was not happy with how my sleeves turned out in the caramel wool petticoat bodies. Some of that was from how thin and lightweight the fabric was, and some of it was from the pattern I used.

    I plan on revisiting those linen sleeves to fix some of the issues, but knew I needed a new base pattern that didn’t cause so many headaches.

    A New Sleeve Pattern

    Over the years I’ve drafted a lot of sleeve patterns. I’ve drafted them using modern drafting methods, using diagrams in costumes books and at least one-time using aluminum foil. Sometimes they have been successful, other times they have been a hot mess.

    This time around I turned to Juan de Alcega’s Tailors Pattern Book but instead of breaking out the bara strips, I opened up Inkscape and traced the sleeve shape.

    Alcega Sleeve Pattern Tracing

    From there I adjust the pattern shape to have less of a dramatic curve and match my arm measurements with some ease included.

    Sleeve Pattern Adjusted

    I printed out my digital pattern, cropping it to fit on two sheets of paper and taped it together. Then I made a mock-up out of some rough linen, giving myself some extra wide seam allowances for adjustment. It took some back and forth in front the mirror with pins until I was happy with how the pattern was shaping up.

    Measure 400 Times Cut Once

    Gold and blue silk sleeves with clapper press

    A few weeks ago I ran across a very good deal on some scrumptious silk damask, it was dirt cheap due to a flaw in the weave. Into my shopping cart it went along with some linen to use for various projects. I figured I could cut around the flaws.

    When the fabric arrived I found the weave flaw ran all the way down the yardage. The thought crossed my mind to try and reweave the damage, but I decided I was not *quite* that dedicated.

    I cut out my linen lining first and then jigsaw puzzled my way down the silk trying to pattern match where I could. Not having the missing thread run through the main part of the sleeve was a challenge as I wanted to use as little of the fabric as possible.

    To make everything fit I ended up piecing the upper back of the left-hand sleeve.

    Blue and Gold Silk Damask Sleeve Pieced

    It took me at least an hour to cut out the sleeve, due to not wanting to mess up a very nice fabric. I also cut it flat so each pattern piece needed to be flipped over while I triple checked that I did not somehow cut two left sleeves (which has happened before).

    Once everything was cut out I sewed the linen lining together using the running stitch with a small section of backstitching at the elbow points to reinforce that area. Next, I sewed the silk together using cream silk thread with the back stitch.

    Blue and Gold Silk Damask Sleeve Back Stitched Seam

    As I handled the fabric it started to fray. Usually, I would overlock or zig zag the raw edges to prevent it. But I was worried about the extra bulk of the threads shadowing through the silk.

    Instead, I prick stitched the seam allowance down, taking tiny stitches through the outer fabric, this also meant I did not need to worry about ironing the seam flat.

    Blue and Gold Silk Damask Sleeve Seam Allowance Sewn Down

    Once all the sleeves were together I put the linings in and basted along the top of the sleeve cap. Then I tried them on with a kirtle, pinning the top of the sleeve to the shoulder strap and looking at where the wrinkles formed. They needed some adjustment.

    That is where I am now. There is a pin stuck in where the underarm curve needs to dip down a little more. I have some narrow bias tape cut from scrap linen to bind the edges and some braid should be arriving in a week or two to trim the seams.

  • Week in Review: Silk Pincushion and Bobbin Lace

    Week in Review: Silk Pincushion and Bobbin Lace

    This post is a tiny bit misleading, I’m smooshing together last week’s missing review in with this week. I was sick last week and while I sat at the laptop with the Edit Post tab open it, it just wasn’t happening. (After typing the week that many times in a row the word has lost all meaning.)

    I have one big project off my plate, it just needs a few threads clipped and proper photos taken. Then I can pack it up and sent it off to its new home. It is a surprise for a friend so I won’t be able to post photos until she receives it.

    But until then here is what I worked on this week!

    Bobbin Lace

    Silver bobbin lace sample

     

    I’ve been trying to learn bobbin lace for the past two years. It has been an on and off process. The books I have don’t always explain the whys and sometimes I’m looking for very specific information with no idea what to call it. It is the beginner’s curse of standing on the edge of a mountain and looking at a sea of knowledge below, knowing that you can’t swim very well.

    Bobbin lace has a very long and rich history that crisscrosses various cultures and techniques. I know in a round about way there are different styles of lace grounds and different ways to work footsides. There are different ways of holding and working the bobbins depending on who teaches you and where you are taught.

    That is something I am not ready to dive into.

    For now, at least my interest in bobbin lace intersects with the 16th century and stays there. That means various types of laces usually based on plaits and braids. I’ve found a few resources online, some books that have filled in gaps.  Staring at Le Pompe and at zoomed in paintings helps too. The silver lace I made is far from perfect, working with a faux metallic thread is a new experience, my tension is wibbley and I suspect my pattern is too large for my thread weight.

    But it stayed together when I unpinned it and that counts for alot.

    Sewing Experiments and Samples

    Blue and Gold Silk Damask Pin Cushion

    This week I also made a few test pin cushions. These are made from an inner pillow of linen, stuffed with linen scraps, covered with silk damask and edged in gold cording. They are inspired by the embroidered pincushions that are often found with 16th century sweet bags, but I don’t know if they were ever made of fancy fabric in period.

    I might put a few of these in my Etsy shop, they have a nice weight to them and have kept my work table from being covered in random pins and needles.

    I also revisited my pouch pattern and streamlined how I make them. Prototype number 2 turned out a little smaller than version 1 but I’m overall pleased with my process for them.

     

    Next week I need to work on the silk taffeta kirtle and there are some silk damask sleeves that need my attention.

  • Week in Review: Silk Taffeta Kirtle and Passementerie

    Week in Review: Silk Taffeta Kirtle and Passementerie

    This week I finished pad stitching the silk taffeta kirtle interlinings and basted the outer fabric in place.

    I popped it on the dress form with pins holding it together to see how it looked. The 3 layers of canvas at the front (which may be overkill) plus the pad stitching gives it lots of shape and structure. So much the bodice stands away from the dress form on its own with very few wrinkles. I need to trim down the edges of the canvas before I put the lining in. I also need to decide if the kirtle will be back or side opening. Side lacing kirtles are easier for me to get into and offer more flexibility in sizing. The trade off is I’ll have to sew twice as many eyelets and my sleeves will need to lace on.

    I may also narrow my shoulder straps along the neckline edge. There is a 1/2 inch seam allowance to keep in mind, but after looking at some extant garments the strap is still a little wide.

    Black silk taffeta kirtle front with basting thread

     

     

     

     

     

     

     

     

    The silk taffeta kirtle skirt and lining are sewn together, save for the side seams. It is currently hanging on the dress form to let the bias drop. I may baste a lightweight chain to the hem to hurry the process along.

    Gold black and red silk cords

     

    I also experimented making my own cording out of silk buttonhole thread. The gold cord on the far left is from twisting it by hand with the help of a chopstick. I twisted the other cords by machine which was much faster and even. I found making very long cords is an issue. The black cord is the longest I managed by myself, another person to help would keep the tension even and the threads from getting tangled.

     

  • Week in Review: Worked on the Taffeta Kirtle – Organize Costume Projects and Silk

    Week in Review: Worked on the Taffeta Kirtle – Organize Costume Projects and Silk

    Let’s just get this out of the way first, silk damask photos:

    Brown and Gold Silk Damask

    Red silk damask

     

     

     

     

     

     

     

     

    These will be turned into sleeves, purses, and pouches for the Etsy shop.

    Sewing

    Red and Gold Damask Pouch with Gold Silk Tassels

    This is prototype pouch version one, it is lined in silk taffeta and decorated with handmade silk tassels. I’m still deciding what the purse strings should be made from.

    I worked on the black silk taffeta kirtle this week. The skirt and the skirt lining are cut out, and I’ve started hand sewing the taffeta side together with Seta Reale Coats thread.

    Tonight I hope to get the back of the skirt together and then I’ll decide if I want to hand sew or machine sew the linen blend lining. I know I’ll have to do some edge finishing on the linen to keep it from fraying.

    I’ll take a photo of the skirt when it is together, right now it would just be a pile of black on black fabric.

    I’ve also started to organize my current projects using Todoist. I’m using the free version to make lists (and in some cases sublists) of all the steps for each project.

    Todoist for Costume Organization

    Green means an active project and grey means the project is still in planning stages. I may add more colors as I go along, like Red for “You are so sitting in time out” for when projects do not behave.

    Does anyone else use apps like Todoist or perhaps something better for large projects sewing projects?

  • The Week in Review – May 5th 2017

    The Week in Review – May 5th 2017

    Sewing

    The black silk taffeta kirtle is coming along, I pad-stitched the bodice fronts and got the bodice lining cut out and I have a black linen blend for the skirt. I usually don’t line the skirts, but the taffeta is lightweight, so the lining will give it a nice drape.

    Black taffeta basted in place canvas padstitched

    Accessories

    I’m dusting off old 3-d modeling skills with the goal of 3-d printing some 16th century styled buttons.

    Image from: https://finds.org.uk/database/artefacts/record/id/402325

    This series is a good refresher of the basics: https://www.youtube.com/playlist?list=PLjEaoINr3zgHs8uzT3yqe4iHGfkCmMJ0P


     I’m also revisiting bobbin lace, I can do a very basic plait correctly! At least most of the time.

    I also forgot to take a photo that should go here. Opps!

    This is the site I return to time and time again to double check myself: http://ildhafn.lochac.sca.org/node/503 and earlier this week a lovely example of reproductions from Le Pomp was posted at http://kostym.cz/Anglicky/8_Krejcovstvi/20_Jirina/VIII_20_10E.htm.

    This really helped me get an idea of how the stitches should look.

    Research

    I’m taking a break from my Spanish inventory translations, I’m sending a bit too much time on the computer and my wrist does not like it.

    But my favorite find so far is this skirt:

    una basquina de tela de plata blanca la delantera bordada de unas alcachofas de oro con una guarniçion toda a la redonda sobre terçiopelo bordado de oro y plata;

    (my rough translation)

    A skirt of white cloth of silver, the forepart embroidered with artichokes of gold with one guard about the hem of velvet embroidered with gold and silver.

    Source:  http://www.anastasiorojo.com/#!/1580-inventario-de-don-rodrigo-sarmiento-de-la-cerda-y-villandrado-conde-de-salinas-y-ribadeo